New Girl (The Cubicle): Movies about Writing

Time to continue the tale of NIck Miller of the sitcom “New Girl” and his attempts at becoming a published author.

When last we left our slacker hero, he’d returned from New Orleans with his first completed manuscript about detective Julius Pepperwood. The episode entitle “The Cubicle” involves Nick trying to convince his girlfriend, Reagan, to actually read this finished product. There are of course other things happening in the episode. Jess is feeling guilty that her current boyfriend has to pay for hospital bills for an accident that was technically her fault. Cece is running her modeling agency from the loft living room (yes, she and Schmidt bought a house but they spend most of season 6 renovating it). And Winston accidentally recruits Cece’s only client for the police academy.

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The episode starts with Nick suggesting he use Cece’s new client to be on the cover of his book and everyone agrees that the male model would make a great Gator. Reagan then asks why no use a real gator. The table gets very gaspy as they realize that she hasn’t read the book or she’d know that Gator is Pepperwood’s best friend… and a man, not a reptile. Winston declares that she must clear the next 24 hours. Nick says it’s no big deal, but the rest of the roommates peer pressure Reagan into take a hard copy of the novel and start reading.

Nick tells her, “Don’t feel any pressure to like it, even though I spent 7,000 hours writing it.” I tried calculate this into days which would mean he spent several years on it. This would he mean he was probably working on it off and on since season 2 (which is a common practice for me and several writers I know). Or the number was an exaggeration and I did math for nothing.

Anyway, he’s clearly nervous about her reading it and she’s clearly not very keen on reading it. They look for ways to put off her quiet time with the giant novel by helping Jess with the medical bill issue. Eventually, she goes back to reading and Nick starts by staring at her the whole time. Realizing he shouldn’t be doing this, he exits the room, then instantly comes back in when he realizes Jess is fighting with her boyfriend in the living room. When comes back to the bedroom where Reagan is reading she’s fast asleep with very few pages of the book turned. He then goes to hide in Cece’s cubicle and is joined by Jess.

“I’m taking the gin with me, though. Alcohol is kind of a cubicle for the insides.”

“Nick, you’re like a drunk Maya Angelou.”

“Not the first time I heard that.”

Nick and Reagan finally discuss her falling asleep on his book and she confesses that she’s never like fiction. But she also tells him that she wants to keep trying to read it. Nick agrees to read some of it out loud to her and she smiles, saying she’d like that. It’s a nice compromise where she still shows interest and he is hopefully able to do some editing (this isn’t a judgement I’m just always looking for ways to multitask).

This whole episode was about caring about the opinions of significant others and coming to terms with the artistic aspects of sharing. For me, it’s easier to have a stranger read my work then someone I love. Of course, I still want that person to buy my work. Let’s not be crazy here.

Image belongs to Fox… or Disney… or someone

Image belongs to Fox… or Disney… or someone

New Girl (House Hunt): Movies about Writing

Continuing the journey of Nick Miller from New Girl (for the start of this plot line go back to the blog New Girl: Eggs).
This episode is all about changes of setting in adult life and a minor plot of it involves how those changes can lead to a successful writing endeavor. So yeah… This will be a short one.

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While Jess watches her friends move on with their lives being serious long distance relationships and buying houses (hence the title), she struggles with the realization that (spoiler alert) she is not over roommate Nick. Nick has been away in New Orleans with his girlfriend Reagan (played by Megan Fox and I was weirdly impressed). When he shows up at home a month early, he’s excited to tell Jess something. Feeling far too awkward for excited attitude she flees. This is then followed by the usual sitcom shenanigans.

By the end of the episode, Jess decides she can avoid Nick forever when he reveals that he was writing 200 pages a day “by hand” in New Orleans (then the wind blew the pages away so he started over on a computer). And so Nick finally finished his first legitimate book in season 6 of the show.

The point I want to make in this episode and why I’m including it in this blog can be broken into 2 ideas. First that Nick was inspired by the change in scenery to finally finish something he started several seasons earlier. This is sometimes true for a specific book or even some writers. The other is - his pages blew away and HE STARTED OVER. That’s always the woooooorrrrrrrrsssssssstttttttt. It makes you feel like giving up and wanting to blow something up at the same time. Something big. That would would make a loud bang. But the show pointed out how he started again and learned that maybe he should back up files on a computer (but I don’t trust computers so I generally also back them up on a usb drive and send them in an email to friends…but that’s just me).

New Girl (Pepperwood): Movies about Writing

Time to continue the sage of Nick Miller’s writing career on “New Girl”. If you are wondering what I’m talking about, check out the previous blog New Girl (Eggs).

In this episode, Jess is feeling triumphant when one of the adult students in her fiction writing class finally comes up with some decent (albeit repetitive) imagery. At first Nick scoffs at this saying, real writers don’t need classes or need to read (which is why he has yet to write anything decent). He also calls the story “amateur hour” due to the simplistic font. This made me laugh and took me back to the simpler time. When I was twelve and trying my first hand at writing a novel, I stuck mainly to Time New Roman, but there were so many pretty fonts to be used in-between. Comic Sans, Papyrus, Baskerville, and Chiler all must have looked like they were trying to gang up on the reader and shout “Boo” with the way these random fonts appeared. Sigh.

Nick reads this student’s story and instantly feels concern when he realizes that the violent description of the main character stalking then killing a large-eyed deer is talking about Jess. She rights this off as him being dumb so Nick does the Nick-thing and comes to her class. He announces himself as “Julius Pepperwood, ex-cop, ex-marine, from Chicago”.

Before going on I should point out that this episode isn’t so much about the writing process as it is about finding inspiration for writing. As usual, spoilers ahead.

Property of Fox

Property of Fox

After Nick makes a murder board of drawings the student has of a large eyed deer covered in blood, Jess gets upset that he’s going ruin the only relationship with a student she currently has. The pair go to the home of this student using less-than-stealthy techniques. They are instantly freaked out by the man’s mysterious locked shed and large duffel bag. Of course, this leads to hilarious misunderstandings, discovering that the student is actually working on a graphic novel and Jess had the look he needs for the victim character.

At the end, Nick actually starts writing a new novel based on their investigative teamwork - about Julius Pepperwood, zombie detective and his partner Jessica Night. This is going to be the basis of the rest of Nick’s work throughout the show and lead him to a successful writing career (hey, it’s a TV show and it could happen).

The common theme between both the writing student and Nick is the idea of taking inspiration from life, then learning when it’s TOO CLOSE TO LIFE. Nick even states that the character of Jessica Night is a “work in progress” suggesting he’ll make her less like his real-life friend as he goes (he doesn’t, but the point is the inspiration).

Some writers love taking directly from life. Some like taking directly from experience. And some like amalgams, drawing inspiration from various people and experiences to help create something original. Even in a zombie detective novel, real life experience or observation needs to be drawn upon to make a good story.

Of course, as Nick points out, Zombies don’t really need detectives since they are already dead. Work in progress.

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