Writers Helping Writers: Beta Readers

So you’ve written and edited your novel within an inch of its life. It’s been transformed from an unsightly rough draft to something that you are really proud of. Let me be the first to say fantastic job! You’ve come a lot farther than most writers out there.

But there’s still some work to do.

If you are intending on publishing your work, then you will need to go through yet another round of people reading your story. These are your Beta Readers.

Beta Readers are people that you trust to give you honest feedback on the story you’ve written. The feedback doesn’t need to be full on edits, but they should be able to tell you what parts made them happy or what parts didn’t make sense. What they liked, what they didn’t like, etc. That being said, there are a few vital traits your beta readers need.

1.       Honest. They have to be comfortable enough with you to give you an honest opinion of your work. It defeats the whole purpose if they simply tell you “it’s good.” The whole point of feedback from Beta Readers is much the same as editors; their comments and opinions are meant to improve the work.

2.       Reliable. Your Beta Readers need to be reliable enough to get you the story back along with their comments in a relatively good timeframe. Sure life happens, but it won’t do you any good to give someone a copy of your story and then never hear back from them or if they don’t bother to read it.

3.       Trustworthy. You are entrusting your Beta Reader with something you’ve worked months on. You have to be confident they will respect the integrity of your work.

There’s no set number of Beta Readers required for your work. I try to get at least one or two for my projects, but that’s really your choice.

May your Beta Readers be enchanted by your tale!

Kira

 

Writers Helping Writers: How many edits does it take to make a novel?

It’s been some time since you’ve hidden your glorious first draft from yourself. You have created enough distance from it to be objective and ready to fix what needs to be fixed. It’s time to edit!

Now, your instinct will be to jump right in and start changing stuff. Don’t. Give yourself time to read through the story without making any changes. The reason for this is that when you start changing things, it will send a ripple effect throughout the novel. It is best to understand where all the changes will take place and how it will affect the rest of the story. Keep a separate document for your editing notes during this initial editing read through. Note down page numbers and what you need to address. It can be as big as complete plot change or as little as a spelling fix. This means as you read, you are creating a list of things to address in your edit. It will help guide your edits and make sure all of those ripples are accounted for.

When you are done with the initial read through, save your first draft into a separate document. This will be the first edit document. I personally like to keep versions of my stories by edits so I can see the progression. This is in case I change my mind about deleting that plot point. I can go back to the original and salvage what’s already been written and edit it into the newer edited version. Believe me, it happens more than you think. Plus it’s fun to see how far you come along the editing process. You can see how the manuscript transforms.

When I am ready to start actually changing things, I tend to go chapter by chapter and address the big things first. This means the plot changes, character reactions, prose clean up, etc. One of the absolute biggest things is the concept of “show, don’t tell”. More or less this means not telling the reader what’s going on, but showing the reader through descriptions, character actions/reactions and body language. A good way to look at it is that you are painting a picture with your words. Your words are being translated into images in each reader’s mind, so why not get as descriptive as possible? Instead of writing “Chloe was upset”, show what that means. “Chloe’s fingertips were white with the pressure of pressing into her hips. Her eyes narrowed into suspicious slits as she cut off his stammering excuses with an angry exhalation.” See the difference?

            So how many edits need to happen to make a coherent novel? A whole bunch. Not only do you have to go through it (I recommend at least three times), you then hand it over to one or two trusted people. These people need to be ones you trust and have a very strong friendship with because if they are worth their salt as editors, they will rip your beloved manuscript apart. You take your time to heal from their edits and realize that what they are saying is intended to make your work even better than it was before. You edit again with their feedback, rinse and repeat. How many times? Well, it depends. You will know when it is ready for the final clean up edits.

            Next, you give the story to a few beta readers. More on them in a later blog post though.   The last stage of editing is giving it to a professional editor for either content or line/copy edits. It is up to you and your budget for how much in-depth editing you want the professional to do. Because I have two very trusted friends who can find a content error like a shark can find blood, I usually have my (absolutely fabulous) editor, Beth, do copy edits- meaning grammar, spelling, etc.

            The whole process can take months or even a whole year depending on how busy your editors are. Have patience. Remember, this is when your draft becomes a novel. It is being polished and perfected. Consider this the labor of bringing a fully ready manuscript into the world and no one ever said giving birth was easy. In the end, you will have a beautiful new novel to present to the world.

Happy Editing!

Kira

Writers Helping Writers: Plotting and Outlining

You can’t have a compelling story without a plot. People want to read about characters that embark on some sort of journey- be it internal or external. The most rudimentary plot consists of a definitive beginning, middle and end. There’s more to it than just those three phases, though. The beginning is home to the exposition and then flows upward into the rising action. At the end of the rising action is the climax or the middle of the story. Immediately after is the falling action. I should note here that there can be more than one climax in a plot. Some of the more celebrated stories have multiple rising and falling actions and multiple climaxes. After the final falling action, we arrive at the resolution and end of the story.

It’s a lot to keep straight. There are three basic types of styles when it comes handing the plot of the story.

1.       Plotter: This means completely outlining your plot. You know what happens in the beginning, the middle and the end before you even begin writing the story. This method is good for when you have complex and long story lines. Plotting every aspect is understanding how they all fit together. The down side, at least for fiction writers, is that sometimes your characters will throw you curve balls and completely throw off all of your carefully crafted plans.

2.       Pantser: This writer flies by the seat of their pants. There is no outline, just a vague idea of a plot and that’s all they need to sit down and start writing. The theory behind this is that the characters will tell you where the plot will go and what will happen as you write.  The bad thing about pantsing your way through the plot is that if you don’t know where you are going, it is much easier for your characters to take you down paths that have nothing to do with the current story. Also, it could take you much longer to get to the end of your tale.

3.       Plotser: This is a strange hybrid of both Plotters and Pantsers and can appear differently depending on the person. Someone may have a rough outline of one or two basic plot points that their characters need to hit and then wing the rest of it. Others may have incredible detail in their outline, but also leave options for their characters to choose which way to go.

The best part about all of this is that there is no wrong way to prepare for writing your story. You will find that some plots require some Plotting while others won’t work unless you Pants it. It is your tale, it is your voice and your style. If you take anything from this blog, please take this: make sure you know where your story is leading up to. It’s fine if you don’t have a perfect outline for every nuance, but have a general notion of what the end of the story looks like. Other than that, find what works best for you and what works best for the story you are writing.

Happy Writing!

Kira

Writers Helping Writers: Research, Research, Research

Now that you’ve got your story idea, it’s time to really flesh it out with details. How do you do that? The answer is simple: RESEARCH! (Alternating yays and groans). This is the part of writing where your browser history may lead to the NSA or FBI keeping an open file on you. You are going to google some weird shit, I guarantee it.

If you don’t know where to start your research, think about your story idea and type into your trusty browser one detail that you know about your story. For instance, do you know where your story takes place? How old the main character is? What time period does it take place in? Does it involve animals? Really, any detail will do to send you down the rabbit hole that is researching a novel.

Remember it’s important to keep notes on what you are researching. I recommend keeping a notebook for the story so you can write down the bits that jump out to you. Some of the information will make it into the story, but a lot of it won’t and that’s alright. That excess knowledge will still be incredibly useful as you write.

What you discover can also cause your story idea to grow and expand. Research will provide locations, time periods, clothing details, mannerisms, how-to’s, descriptions, you name it to fill in the blank spots that aren’t readily apparent.

The best part about research is that it often will bring about more story ideas. That is why it’s crucial to keep learning new things.

Research for a story is almost never done. Even when you think you have all the details you can possibly wring out the internet, when you start writing, more things will come up- like is the trajectory of a cannon ball hampered by rain? Or how much blood can be drained from someone before actually killing them? Research is the whole reason I know how much gasoline it would take to cremate a 160 pound body. See? NSA and FBI material.

Keep researching!

Kira

Writers Helping Writers: Cultivating Your Book Idea

There are you are, minding your own business, walking down the street when BAM! It comes out of nowhere. The best idea for a novel EVER! You have to get it written down somehow, there’s no way this idea would be bad! The world NEEDS this story!

We’ve all been there. We’ve all had that genius story idea that would be perfect. But how do you get from incredible lightning strike from your muse to published work? Well, this blog series is aimed at the tough in-between times of idea and publication. We will start where every novel starts and that is the idea.

Ideas, especially story ideas, as a general rule are not fully formed. Often times they come only in bits and parts and it is up to us to string those bits together to generate a decent full-blown novel idea. When you have that spark of an idea, write it down and don’t just stop there. Ask questions of it. What if scenarios. Who are the players? Keep a record of what you discover.

Sometimes not all the answers are apparent, either. This is where novel ideas require some patience. It takes time for an idea to evolve. It takes careful cultivation in an information dense pocket of your mind. The way to create such fertile ground that is to learn new things constantly. Always expand your horizon. You never know if what you are reading about is really an aspect of your story in disguise.

Keep adding to your idea over time. Don’t let it just sit in the corner, keep playing with it in your thoughts. It’ll tell you when it is done growing. Talk about it with people you trust. Sometimes someone else can give you a new perspective or ask the right question that will spark a growth spurt of this idea.

Don’t fret too much if your idea isn’t wholly original. With 7 billion people in the world, it’s almost a guarantee that there are no ideas that have not stemmed from somewhere. That doesn’t mean stealing someone else’s work and calling it your own though. It means to start with a common theme and then look for ways to make your version unique.

Save all of the things that don’t quite fit too. I keep a file of “story bits” on hand for all of the ideas and tangents that I manage to capture as I am daydreaming and thinking.  When I am working on a new idea, I will go through that file to see if anything fits. You never know what you will need for the next idea you have.

Happy Writing!

Kira

New Year, New Blogs: A Peek Into What’s In Store For 2018

We are over a week into this New Year. So far so good, right? Well, following my own advice, I’ve decided to change up the way I do blogs this year. All of them are geared towards helping people (really, it won’t be all bad advice).

Don’t worry, Azra will still be dispensing all of his horrible advice, but it will be in a new way. Instead of focusing just on parenting, He’s decided to take on general questions about life, love, pop culture, history, even cooking. Yes, Azra has talked me into a new blog series for him called “Ask Azra” and it will be about as cheesy and terrible as his parenting blog (don’t tell him I said that).

In addition to Azra potentially ruining people’s lives, I am also introducing two new blog series: Writers Helping Writers and Indie Book Review.

Writers Helping Writers is a topic by topic overview of how to go from first draft to published novel and everything in between. This stems from my own personal experiences in the hopes that it will help aspiring authors on their own journey.

Indie Book Review is just that. I will read and review one Indie produced book a month. These books I will have gotten from my travels (I have met these authors either at conventions or book festivals) or by your suggestion. I’ve got a few good ones lined up already that I can’t wait to get into.

There is one more thing... I need your help to do all of this. That’s right, you are an integral part of my 2018 blog experiment! Here’s what I need you to do:

If you have questions for either the Ask Azra or Writers Helping Writers segments, let me know. Also, if you have an Indie produced book you want to spread the word about, give me the title and the author name and I will take the recommendation. It’s super easy to let us know your questions and recommendations. Simply drop us a line at fivesmilingfish@gmail.com. Or, you can comment on this or any posted blog. Additionally you can leave us a comment on Facebook. We really do read and appreciate any and all messages and shares.

Thank you for your help. Here’s hoping the rest of 2018 will go as well as this first week has!

Smiles,

Kira

Lessons from Nanowrimo 2017

I have survived Nanowrimo this year, more or less intact. This is an annual exercise for me and my friends. We use the motivation that Nano provides to get out the first drafts of many of our novels. We use it to finish up works that we need to just buckle down and write. It’s not just for November, either. There are year round resources and information you can access with Nano, not to mention their Camp Wrimo and meet ups. I highly encourage you to check it out if you are the writing type.

This year, my Nano project was my grandfather’s story; Fair to Middling; a very difficult topic since my grandfather passed two years ago around Thanksgiving. I’ve got videos and letters and a whole assortment of notes that I’ve been combing through. Not to mention the memories.

I want to say that everything for this Nanowrimo went perfectly. I want to say that I sat down, had butt in chair time and pounded out 1,667 words every day.

Life doesn’t happen like that.

Instead, there was an incessant buzz of adult responsibilities that distracted me from my writing. I was sick for a good week or so. We had conventions and book signings. A major recall happened on my car and there’s been a constant upheaval with our transportation. My day job has been keeping me later and later. Family has been pulling at my sleeve. The upcoming holidays and all the worry that comes along with it. The constant nagging that I still had to do things before I could write. Getting over that feeling is the hardest thing. After that, you have to convince yourself that the words you are diligently putting on the page do, in fact, make sense when strung together in a sentence. You have to ignore the little doubts crowding your head and trust that what you are writing is not complete and utter crap.

This year, I did make my word count, but only just. It was a hard-fought win. There’s still a little bit more to go in the story, but it shouldn’t take me that long before I can start editing.

All of this rambling is to make a certain point: Life will get in the way of your dreams. It will distract you, it will do its best to disillusion you, and it will try to legitimize the doubts that you aren’t good enough.

Your job is not to let it. Your job is to fight for your dreams and to achieve your goals.

It’s the only way you won’t live full of regret.

Keep fighting for what you want. Make a life on your terms, not everyone else’s.