Muppet Christmas Carol: Movies about Writing
“Storytellers are omniscient, I know everything.” So sayeth Gonzo the Great - I mean, Charles Dickens. The blue furry Charles Dickens who hangs out with a rat.
Now, I really do know A Christmas Carol like the back of my hand. I memorized the opening passage about door nails and coffin nails when I was a kid because it made me laugh - you know, like most eleven year olds. And this is pretty much my favorite version (in close running with the 1938 version and the 1951 versions) and is actually pretty close to the original novella (they cut out Bob’s oldest daughter, Martha and Scrooge’s sister Fan, but pretty close nonetheless). This is one of the only times the writer of the screenplay actually bothered to read the name of Scrooge’s former love, Belle. Most screenwriters skip that part and leave her nameless or give her a generic British name like Alice or Mary.
This film, for those who’ve never seen it (WHAT IS WRONG WITH YOU??), if full of jokes about Gonzo/Dickens being able to time each event as he narrates the story. His narrations come straight from the original text which is someone better sounding from Dave Goelz (the voice of Gonzo) then from the pompous Brit in the ‘51 version. However, Gonzo also has to constantly prove that he really is the author to Rizzo the Rat who finds this form of Dickens too unbelievable. “Hoity toity, Mr. God-like-smartypants.”
Still, I like the idea that even though Gonzo is Dickens, even he doesn’t know everything that’s going to happen. Characters can surprise their creators, even when the creator is being played by a blue furry, hook-nosed whatever.
I really don’t have much more to say here as I am very distracted right now. I mean, Michael Caine is signing with Robin the Frog. Where else could you possibly see that?